I found this doing a search for Domino Records DRM. I looked up some of my favourite artists to see if they were part of the “MAFIAA” that is the RIAA (Recording Industry Association of America), not surprisingly some were (70% of sold music worldwide is put out by this cartel). I got rather confused when a Franz Ferdinand album appeared on the list, when their debut album did not. Seems the record label did a deal with Sony for distribution. I found a piece of information quite old now (May 2006), but interesting anyway:
“Opponents also challenge the idea that back catalogue revenues provide investment for new ventures and to support new artists. Peter Jameson of the BPI (British Phonographic Industry) argued in The Guardian on 24 April that such investment had contributed to a boom in new British music, citing artists such as Arctic Monkeys, James Blunt and Kaiser Chiefs. However, Arctic Monkeys are with Domino Records, which was founded in 1993 and rarely re-releases records that predate itself, and James Blunt was signed by the US label Custard Records, which was set up only in 2004 and so has little back catalogue material to release; the same is true of Kaiser Chiefs, who are signed to B-Unique, which was also founded in 2004. Those are hardly good examples of recording companies that rely on significant revenue from the back catalogue profits that would be under threat if we were to stick at the 50-year copyright term.” ( Via Digital Rights Network and associated other sources)
I find the whole Digital Rights Management thing very interesting, will the greedy dinosaurs of the recording industry win? Or will technologists like Corey Doctorow or Steve Jobs suceed in getting the point across? After all you don’t see many technologists being record bosses!